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陶艺产生于现代艺术思潮的冲击之下,同时它又处于博大沉雄的传统陶瓷的夹缝之中。 “陶艺产生于上世纪未的欧洲中部。一方面它是反对工业化倾向的一种手段,受到约翰·拉斯金(Johruskin)和威廉·莫里斯(Willam·Mrris)的“手工艺运动”的影响;另一方面由于理化派艺术的介入,陶艺从而进入纯美术领域,和其它现代派艺术同步发展。这时的手工制陶与其说是一种目的,不如说是现代艺术对各种材料的敏感。它不是在一种新的艺术杰作发明下出现的艺术形式。如尼德兰文艺夏兴著名画家,杨·凡·代克(Jan Van Eyck)对于绘画材料的革新完成而出现了“油画”那样,也不
Pottery produced under the impact of the modern art trend, at the same time it is in the vast traditional ceramic sand Shenxiong. “Pottery originated in central Europe, which was not in the last century, and on the one hand it is a means of countering the tendency toward industrialization, influenced by the” handicraft movement “of Johruskin and Willam · Mrris; On the other hand, because of the involvement of the Physic-Chemist School, pottery art entered the field of pure art and developed in parallel with other modernist art, which is not so purposeful as modern art is sensitive to various materials. It is not an art form that emerges from the invention of a new masterpiece of art such as Jan Van Eyck, a well-known Dutch painter in Xia Xing, who painted ”oil paintings" for the renovation of painting materials ,nor