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刘勰在《文心雕龙·物色》中说:“春秋代序,阴阳惨舒,物色之动,心亦摇焉……是以献岁发春,悦豫之情畅;滔滔孟夏,郁陶之心凝;天高气清,阴沉之志远;霰雪无垠,矜肃之虑深。岁有其物,物有其容;情以物迁,辞以情发。一叶且或秋意,虫声有足引心,况清风与明月同夜,白日与春林共朝哉!”在这段话中,刘勰深刻地阐述了自然万物和时序更迭与人的情感和思想之间的密切关系。古往今来,文人墨客在诗文创作中,莫不把情景互感,意境交融作为自己最
Liu Yong said in the Wen Xin Diao Long · Coloring: “Spring and Autumn Period, Yin and Yang miserable, find the move, the heart is Yan Yan ... ... is to offer the spring and early spring, Yu Yue of love; surging Meng Xia, Yu Tao The heart of the condensate; noble, gloomy Zhi Yuan; gravitation snow unlimited, Su-thinking of the deep. Age of its objects, things have their content; Accompanied by a clear voice, clear the wind the same night with the moon, the day together with the Chunlin North Korea! ”In this passage, Liu Xun profoundly expounded the close relationship between natural things and timing changes and human emotions and ideas relationship. Throughout the ages, literati and ink writers in the creation of poetry, not to the scene mutual inductance, mood blending as their own