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中国岩画大体可以分为北方岩画和南方岩画两大系统。其中,北系岩画大都表现的是原始畜牧文化,而南系岩画则主要表现早期人类的原始农业活动,如江苏连云港将军崖岩画中的原始稻作农业文化,广西左江岩画中“祀田”农业文化,贵州长顺岩画中的山乡农耕文化等。南系岩画中,有的岩画虽然没有直接反映所在地的农业文化,但有很多画面间接表现了当时的农业环境、生态环境、人居环境,如江苏连云港将军崖岩画中的海州农业生态环境,广西左江岩画中的农业水环境,贵州画马崖岩画中的山乡田园环境,云南沧源岩画中的农业人居环境等。因此,通过对其考察与研究,我们有可能较为直观地了解早期人类农业生产、生活的状况,探寻远古先民的原始农业文化发展水平,这些考察对于研究人类文明进程有着巨大作用。
Chinese rock paintings can be roughly divided into two major systems of northern rock paintings and southern rock paintings. Among them, most of the northern rock paintings show the primitive animal husbandry culture, while the southern rock paintings mainly represent the primitive agricultural activities of early humans. For example, the primitive rice farming culture in General Cliff Rock paintings of Lianyungang in Jiangsu Province, "Agricultural culture, Guizhou Changshun rock paintings in rural farming culture. Some of the petroglyphs in the southern series did not directly reflect the agricultural culture of the locality. However, many of the pictures indirectly showed the agricultural environment, ecological environment and living environment at that time. For example, the agro-ecological environment of the state in the cliff paintings of General Cliffs of Lianyungang in Jiangsu Province, Agricultural water environment in the Zuojiang petroglyphs of Guangxi, the rural pastoral environment in the Khumaya petroglyphs of Guizhou and the agricultural habitat in the Cangyuan petroglyphs of Yunnan. Therefore, through its investigation and study, it is possible for us to get a more direct understanding of the status of agricultural production and life in the early stage and explore the primitive agricultural culture of ancient ancestors. These investigations are of great significance to the study of the process of human civilization.