“意象”概念,最初出现在我国古代的哲学文体中。如《周易·系辞上》:“子曰:‘书不尽言,言不尽意。’然则圣人之意其不可见乎?子曰:‘圣人立象以尽意,设卦以尽情伪,系辞焉以尽其言。’”意思是古代圣人创造物的象及记录语言的文字,目的都是表达人的思想意义。而作为文学理论术语,第一次提出“意象”的是刘勰:“使元解之宰,寻声律而定墨;独照之匠,窥意象而运斤。”(《文心雕龙·神思》)指的是一切顿悟人生的文人都能够运用笔墨描写想象中的景象。英国《现代评论术语词典》给“意象”的定义是“这是一个灵活得令人困惑的术语,任何由文学语言所引起的可感效果,任何感人的语言、暗喻、象征都可以称为意象。”月亮这一特别而意义非凡的意象在中西文学 “Image ” concept, first appeared in ancient Chinese philosophical style. Such as “the Book of Changes on the line”: “The child said:” The book is not full of words, does not mean. “However, the meaning of the saints can not be seen? Son said:” Sage portrait to make every effort, set the hexagram to enjoy Pseudo, the rhetoric to do its words. “” Means the image of the ancient saintly creatures and recording language, the purpose is to express the person’s ideological significance. As a theory of literary theory, the first time that “imagery” is put forward, it is Liu Xiu who “ Diao dragon · God thinking ”) refers to all insight into the life of literati are able to use the ink to describe the imagination of the scene. The definition of “Image ” by the British Dictionary of Modern Review Terms is “This is a flexible and confusing term, any sensible effect caused by literary language, any touching language, metaphor, symbol can be Known as the imagery. ”This special and meaningful image of the moon in Chinese and Western literature