天潇的篆刻强调书法笔意的书写意味,同时,在对线条的微妙处理上又分明可见中国美院教学中对刀法的重视与发微,这些都使得他的作品的金石气落实得非常具体、非常细致入微。天潇治印下刀往往刀笔互见,使刀如笔,大笔挥霍时纵横开阔,能见苍茫、见古远,金石味道酣足而又饶有书写感;细笔处则内涵筋骨、逶迤多变,细劲如屈铁、如秋鹰之一蹴,极尽变化又能极为灵动。至于字法设计、章法安排,天潇讲究大疏大密的对比,充分发挥想象的空间,不求苟合、大胆求变,每每有惊 TianXiao carving emphasizes the calligraphy meanings of calligraphy meanwhile, in the subtle treatment of the lines, it is obvious that the emphasis and negligence on the knife method in the teaching of Chinese Academy of Fine Arts have all made his works very concrete , Very nuanced. Day Xia governance knife knife often cut each other, make a knife pen, a large sum of squandering wide and open, to see the vast, see the ancient far, the stone taste full but with a sense of writing; fine pen at the meaning of bones, 逶 迤 changeable , Fine as the iron, such as one of the autumn eagle, extreme change can be extremely agile. As for the letter design, the arrangement of the rules and regulations, Tian Xiao pay attention to sparse contrast, give full play to the imagination of the space, without seeking Gouhe, bold change, often have the alarm