“传统与现代”的碰撞——对“民歌翻唱”现象的思考

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中国是个多民族的国家,以其民歌体裁的多样性,种类的丰富性,流传分布的广泛性和音乐的鲜明性而闻名于世。近年来民歌翻唱成为音乐界一种常见的现象,对于这种现象大家众说纷纭,或褒或眨。本文从音乐美学的角度对这一现象进行剖析,认为它是对民族传统音乐文化的继承和发展,仍然是建立在几千年中华传统文化的审美特质基础上的文化发展的一个必然过程。 As a multi-ethnic country, China is known for its diversity of folk songs, its richness in variety, its widespread distribution and the vividness of music. In recent years, folk song cover has become a common phenomenon in the music industry. There are different opinions on this phenomenon, or praise or blink. This paper analyzes this phenomenon from the perspective of music aesthetics and thinks that it is the inheritance and development of the national traditional music culture. It is still an inevitable process of cultural development based on the aesthetic qualities of Chinese traditional culture for thousands of years.
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