叫魂即喊魂、招魂,我国早在《楚辞》中就有着《招魂》的记载,招魂仪式具有较为深远的历史价值与音乐文化内涵。本文近距离观测聚居于中越两国跨界民族——“彝/倮倮”【叫魂】仪式中的“呗耄/西玛朗”腔调,对该腔调进行系统、全面的信息采集,然后使用相同材料纵向对比谱对基本腔调进行分析,试图从旋律基因方面解读该族群共同的文化记忆。 Calling the soul that is, shouting soul, spiritualism, as early as in our “Chu Ci” has a “souls” records, the Reigning Ceremony has far-reaching historical value and musical culture. This article is a close observation of the transliteration of China and Vietnam cross-border ethnic - “Yi / 倮 倮” [soul] ceremony “chant / Simarang ” tone, the tone of the system, comprehensive information Collected, and then analyzed the basic accent with the longitudinal contrast spectrum of the same material in an attempt to interpret the common cultural memory of the group from the melodic gene.