这些年很少写创作谈之类的文章了,因为编剧所要讲的立意和形式都在舞台上了,有些东西,真的连编剧自己都未必能说深说透。但《当代戏剧》的美意难却,不仅发表拙作,还约我写一篇创作谈之类的文章,故才有此文。说到创作评剧剧本《红高粱》,就不得不先说我创作的另一个晋剧剧本《大红灯笼》。莫言的小说《红高粱》和苏童的《妻妾成群》被读者热捧,要感谢电影。公允地说,我创作这两个剧本,更多的是受了张艺谋电影的影响和启迪。《红高粱》和《大红灯笼高高挂》应该 Few writers talk about writing articles like these years, because the screenwriter wants to talk about the conception and the form are on the stage, and some things, it is not even the writer himself may not be able to say thoroughly. However, “contemporary drama,” the beauty is difficult, not only published my humble work, but also about me to write an article on the creation of such articles, so there is this article. When it comes to writing and criticizing the drama “Red Sorghum,” I have to talk about another “Red Lantern” that I created. Mo Yan’s novel “Red Sorghum” and Su Tong’s “Wives and Herds” were favored by readers, thanks to the movie. To be fair, I created both scripts, more influenced and inspired by Zhang Yimou’s films. “Red Sorghum” and “Red Lanterns hanging high” should be