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《切韵》覃韵在上古有三根支柱:*[um]、*[om]和*[m]。前一支柱在“前切韵”时期已经崩塌并入了*[om],后两根支柱在现代汉语方言中赫然矗立。从中古汉语来看,秦雍、司豫汉语覃韵的说法整齐划一,青徐、幽燕汉语和江东吴语覃韵舌齿声母字的说法内部有别。就合流的模式而言,现代汉语方言所见可分三类:一是覃痕平行,这是北方官话、闽语、客家话和浙南吴语的白读表现出的倾向;二是覃桓平行,这是赣语和通泰方言的白读表现出的倾向;三是覃寒平行,这是中原官话和闽语文读表现出的倾向。汉语史上覃韵结构的演变可跟“后切韵”时代通曾摄东冬登三韵的分合等量齐观。
Ch’un Yun has three pillars in ancient times: * [um], * [om] and * [mon]. The former pillar collapsed in the period of “before the cut ” into * [om], the latter two pillars stand out in modern Chinese dialect. From the Middle Ages in ancient China, Qin Yong, Secretary Yu Yun Yun Qin language is uniform and neat, Qing Xu, Youyan Chinese and Jiang Yun Wu Yun Tan Yun tongue tooth initials are different. As far as the mode of confluence is concerned, the modern Chinese dialects can be divided into three categories: one is the parallel of Qin marks, which is the tendency of white-reading in northern Mandarin, Min dialect, Hakka dialect and southern Zhejiang; second, , Which is a tendency of white reading in Gan dialect and Tongtai dialect; thirdly, parallelism in Qin dialect, which shows the tendency of reading in Central Plains Mandarin and Min language. The evolution of Qin rhyme structure in the history of Chinese can be the same as the “Qie Yun” era Tong Zeng Dong Dongden three rhyme in equal measure.