“嘈嘈切切错杂弹,大珠小珠落玉盘。”唐代诗人白居易在《琵琶行》里的经典描写出神入化,琵琶弦一拨,余音绕梁……千年之后,被誉为“琵琶皇后”的章红艳用40余年的时光抒写了属于她的“琵琶行”。章红艳出生在越剧的发源地浙江嵊州,父亲是当地越剧团的主胡、作曲,母亲是越剧演员,她从小就在越剧中感受传统器乐的魅力。她7岁开始跟随父亲学习琵琶,那时的她,只比琵琶高一点儿。小小的人儿抱着大大的琵琶,很是可爱。在父亲细致入微的指点下和她日复一日的勤学苦练中,曾 “Noisy cut cut the wrong shells, bead bead drop jade plate. ” Tang Dynasty poet Bai Juyi in the “Pipa” in the classic description of superb, a string of pipa, reverberation around ...... After a thousand years, known as the “pipa Empress ”Zhang Hongyan spent more than 40 years to express her“ Pipa ”. Zhang Hongyan was born in Shengzhou, Zhejiang, the birthplace of Shaoxing Opera. My father is the main teacher and composer of the local Yue Opera Troupe. Her mother is a Yueju actor. She grew up in the Yueju Opera to experience the charm of traditional instrumental music. She started studying pipa with her father at the age of 7, when she was only a little taller than the pipa. Small children holding large pipa, it is very cute. Under the guidance of her meticulous nurturing, she worked hard day after day