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本文从多角度反思《大荒经》从图文到书籍的转变过程,认为其内容看似荒诞,实为对于一种立体结构的描述。其中的海是指象征性的圜水,海内、海外和四海均据此而来。作者推测《大荒经》所描绘的立体结构为复式几何形、门在北,是象征天圆地方的原始宇宙观的建筑,经文是对该建筑结构和壁画内容的系统描述。作者进而通过对宗庙建筑史的考察,并根据历史通则比对其他文明体系,得出结论认为该建筑实为性质类似西方万神殿的百神庙——商代大社。本文首次对素来被视为荒诞无稽的《大荒经》做出了相当完满的解释。
This article, from a multi-angle, reflects on the process of the transformation of the Great Wilderness from graphic to books, and regards the content as absurd, which is actually a description of a three-dimensional structure. One of the sea refers to the emblem of the swill water, which is where the sea, overseas and universal. The author speculates that the three-dimensional structure depicted in The Great Wilderness is a double geometry with the door in the north, a building symbolizing the original cosmopolitan view of the heaven and the round. The scriptures are a systematic description of the structure of the building and the content of the mural. The author then through the investigation of the history of the temple architecture, and according to the history of general comparison of other civilizations system, concludes that the building is actually similar to the western temple of the Pantheon - Shangdaishi agency. This article, for the first time, gives a fairly complete explanation of the Great Wilderness, which has long been regarded as absurd.