逻辑存在于理论本身,在很多观点看来,中国传统音乐美学理论,主要包括传统美学、音乐学等内容,并非建立在逻辑形态基础之上,而是建立在一种与正常的逻辑完全不同的“直觉”基础上,或称为经验,或称为具象思维。笔者认为这些观点都存在着一定的合理性,但却不属于逻辑层面探究的问题。比如直觉的性质是一种思维模式,与逻辑要求的思维方法运用过程中所必须遵循的机制、规则,存在着很大的差异性。本文将对中国传统音乐现状进行分析,并在此基础上就其逻辑形态,谈一下自己的观点和认识,以供参考。 Logic exists in the theory itself. From many viewpoints, the traditional Chinese theory of music aesthetics, including mainly traditional aesthetics and musicology, is not based on logical forms but based on a completely different kind from the normal logic “Intuition ” based on, or known as experience, or as a concrete thinking. I think these views are there is a certain degree of rationality, but it does not belong to the logical level to explore the issue. For example, the nature of intuition is a kind of thinking mode, which has great differences with the mechanisms and rules that must be followed in the application of the logical method of logical requirements. This article will analyze the status quo of traditional Chinese music, and on this basis on its logical form, talk about their own point of view and understanding, for reference.