作为元曲的代表曲目以及中国古典悲剧作品的代表作品,《窦娥冤》无论是从文学性还是舞台性上都十分经典。艺术综合性是艺术作品十分重要的特性之一,也是艺术作品的成功之处。《窦娥冤》的成功不仅在文学中,更在舞台上,是艺术综合性的代表作品。本文结合其字里行间的悲戚与唱念做打中的伤感对其经典性进行探究,从艺术综合性上来分析这部作品的成功之处。 As the representative song of Yuan Qu and the representative works of classical Chinese tragedy, “Dou E Yuan Yuan” is both classic and literary. Art synthesis is one of the most important features of a work of art, as well as a place of success for works of art. The success of “Dou E Yuan Yuan” is not only in literature, but also on the stage, as the representative of comprehensive art. In this paper, I will explore the classicity of sadness and sadness in the lines, and analyze the success of this work from the perspective of artistic synthesis.