论文部分内容阅读
清人张鸣珂《寒松阁谈艺琐录》记载:“自海禁一开,贸易之盛,无过上海一隅。而以砚田为生者,亦皆于于而来,侨居卖画……”[1]正如他所言。鸦片战争后上海的崛起,吸引了大量的厕家前来卖画。在鸦片战争以后鬻艺沪上的画家中,早期主要有“三熊”[2],即嘉兴秀水人张熊(1803—1886)、嘉兴秀水人朱熊(1801—1864)、浙江萧山人任熊(1820—1864)。其中有两个人都是嘉兴人。嘉兴离上海最近,咸丰年间又经战乱,故在海派形成期的第一代翘楚中.嘉兴人占据主要地位。嘉兴籍的花鸟画家,以张熊为首,[3]时称“鸳湖派”(鸳湖即嘉兴南湖)。[4]“鸳湖派”花鸟画取法周之冕、王武、恽寿平、华喦、陈淳,根据上海市场的实际需求,融和多种画法,而衍生出清新、妍丽雅俗共赏的小写意没骨花鸟画风,既是早期
Qing Ren Zhang Ming Ke “Han Song Court talk about Yi Suo recorded”: “Since banning the sea, the trade Sheng, without a corner of Shanghai, while Yan Tian survivors, are also coming from, living in the painting ... ...” [1] As he said. The rise of Shanghai after the Opium War has attracted a large amount of toilets to sell paintings. Among the painters in Shanghai after the Opium War, there were mainly “Three Bears” [2], namely Zhang Xiong (1803-1886) in Jiaxing, and Jia Xiong (1801-1864) in Jiaxing, Zhejiang Xiaoshan Ren Ren bear (1820-1864). Two of them are Jiaxing people. Jiaxing from Shanghai Recently, Xianfeng years after war, so in the formation of the first generation of Shanghai school leaders. Jiaxing occupy the main position. Jiaxing Ji flowers and birds painter, headed by Zhang Xiong, [3], said “mandarin Lake School ” (Mandarin Lake Jiaxing Nanhu). [4] “mandarin Lake School ” flowers and birds drawing Zhou Zhou crown, Wang Wu, 恽 Shouping, Hua Yan, Chen Chun, according to the actual needs of the Shanghai market, blending a variety of paintings, and derived from the fresh, Bone flowers and birds style, both early