19世纪末、20世纪初的大作曲家马勒,把浪漫派交响乐发展到极致,既庞大、又绵长。其作品总给人灰色、沉重、艰涩难懂的印象。但实际,马勒的某些乐章,也非常的鲜活、好听……听马勒的音乐,许多人总把他乖舛的经历与创作联想在一起,因而先人为主地认为它艰涩难懂、或过于灰色沉重。其实,马勒的交响乐作品,是典型的浪漫派风格,也可以说是交响乐发展到极致的表现。浪漫派交响乐与古典时期最大的不同,是它们几乎都有主题。除了贝多芬的“田园”之外,古典派的交响乐都是绝对音乐。浪漫派发展到后期,愈来愈多作 The late 19th century, early 20th century composer Mahler, the romantic symphony developed to the extreme, both large and long. The total work gives a gray, heavy, difficult to understand the impression. But in fact, some of Mahler’s movements are also very lively and nice to listen to ... Many of Mahler’s music always associate his curious experiences with the creation, so the forerunner thinks it difficult and hard to understand , Or too gray heavy. In fact, Mahler’s symphony works, is a typical romantic style, it can be said that the development of symphony to the extreme performance. The biggest difference between romantic symphony and the classical period is that they have almost all the themes. In addition to Beethoven “Pastoral ”, the classical symphony is absolute music. Romantics to the late development, more and more for