在18世纪末19世纪初,新古典主义的内部出现了“反古典主义”的倾向,这不仅与1790年代雅各宾政府的“恐怖政策”有关,更为直接的原因在于此时哥特式文学的短暂流行。本文通过分析吉罗代、格罗、普吕东等艺术家的作品,阐释这一时期的哥特式文学在题材与视觉图式的双重层面对于新古典主义绘画的影响。 In the late 18th and early 19th centuries, the tendency of “anti-classicalism” appeared in neoclassicalism not only because it was related to the “terrorist policy” of the Jacobins government in the 1790s, but more directly because Gothic literature of the ephemeral popularity. This article analyzes the influences of the Gothic literature of this period on the neoclassical painting in the double layers of the theme and the visual schema by analyzing the works of the artists such as Girard, Gro and Prudhomme.