视觉空间作为电影艺术重要的美学表现方式,对影片艺术表现力与感染力具有非常重要的作用。英国新锐导演乔·怀特在《傲慢与偏见》《安娜·卡列尼娜》等文学改编电影作品和《汉娜》《独奏者》等现实题材影片中,通过大量动态长镜头、细节道具和人物心理为观众营造了与众不同的视觉空间,彰显出乔·怀特个人对电影空间美学的个性化理解,也让其电影呈现出独特的空间美学特点和艺术价值。 As an important aesthetic expression of cinema art, visual space plays an important role in expressiveness and appeal of film art. British cutting-edge director Joe White in “Pride and Prejudice” “Anna Karenina” and other literary adaptation of the movie and “Hannah” “solo” and other realistic films, through a large number of dynamic long shots, details of props and figures Psychology creates a distinctive visual space for the audience, highlighting Joe White’s personal understanding of the aesthetics of cinema space, and also making his film a unique space aesthetic and artistic value.