从影像作为记录与呈现藏地的媒介诞生以来,藏地影像作为时尚,或曰风尚,其吸引力与美誉度几乎从未衰减,这无疑是世界范围内民族文化景观里的一个连通了古老与当下的“后现代”奇迹。藏族导演与作者电影“新浪潮”的中坚力量2015年7月26日,青海松太加导演携历时三年完成的新作《河》在西宁First青年影展首映,这是一部在青海同德县拍摄,讲述一个藏族半农半牧家庭亲情、家庭与信仰 Since the emergence of video as a medium for recording and presenting Tibetan land, the Tibetan image, as a fashion or style, has almost never diminished its attractiveness and reputation. This is undoubtedly a link between the ancient and the modern The moment’s “post-modern” miracle. On July 26, 2015, director Song Qingtai and director Song Zeda took a new work “River”, completed in three years, at the premiere of the First Youth Film Festival in Xining. Photographing in Tongde County about a family relationship and belief in a Tibetan semi-agricultural and semi-herder family