本文对莱辛的《野草在歌唱》中的人物描写和象征手法对进行分析与研究,揭示在殖民者创造的“东方主义范式”下,土着人是如何被边缘异化为低劣的、野蛮的、暴力的低等民族;在男女二元对立中女性是如何无法摆脱边缘化和被异化为殖民统治中的帮凶。 This article analyzes and studies Lessing’s characterization and symbolism in Weeds in Singing, and reveals how indigenous people are marginalized into inferior under the “Orientalist paradigm” created by colonialists. The violent lower class; how women can not get rid of marginalization and alienated themselves as accomplices in colonial rule in the binary opposition between men and women.