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传统笔限是:笔——墨——水,非传统笔限是:水——墨——笔,促使这一序列发生颠覆性突破的是“水”。“水”便是传统中国画与现代中国画的分水岭,现代中国画的没骨造型要求画者打破主客观关系,打破传统工写界限,打破水溶性与非水溶性范畴。没骨画是中国绘画史中一种独特的绘画方式,从技法绘画语言发展成为一种绘画样式,历经漫长的历史时期,承中有变,因中有革。传统没骨在技法的总结与拓展方面,为现代没骨生成,做了必要的准备。现代没骨的迫切问题,就是建构基本的语言体系和文化自信,以便有新的技术积累。
The traditional limit is: pen - ink - water, the non-traditional limit is: water - ink - pen, prompting this series of subversive breakthrough is “water ”. “Water ” is the watershed of traditional Chinese painting and modern Chinese painting. The modern style of Chinese painting requires that the artist break the subjective and objective relations, break the boundaries of traditional writing and break the category of water-soluble and water-insoluble. Boneless painting is a unique way of painting in the history of Chinese painting. It has developed from a technical drawing language into a painting style. After a long historical period, there is a change in its inheritance, because of its transformation. Traditionally no bone in the summary of techniques and development, for the modern generation of bone, made the necessary preparations. The pressing problem of modern times is to build a basic language system and cultural confidence in order to accumulate new technologies.