新中国成立后,电影界针对旧片进行了一番清理活动。这种清理,本身即是一种政治行为。此后,作为见证一段历史的文化遗产,旧片又重新得到整理。而经过清理与整理之后,旧片仍然存有一定的生存空间。不仅如此,观众的旧片情结并未随着时代变更和思想改造而荡然无存。通过对部分香港电影的观看,这些观众达到了一种替代性的体验与想象性的满足。 After the founding of New China, the film industry conducted some clean-up activities against the old films. This cleanup is itself a political act. Since then, as a testimony to the history of the cultural heritage, the old film has been reorganized. After cleaning and finishing, the old film still has some living space. Not only that, the audience’s old film complex did not change with the times and ideological transformation and vanished. Through the viewing of some Hong Kong films, these audiences achieved an alternative experience and imaginative satisfaction.