21世纪以来,少数民族题材电影在作品数量、质量、国内外影响力、人才培养等方面获得了长足发展,尤其可喜的是出现了一批本民族导演(本文称之为“少数民族电影导演”),其中青年导演正破茧出壳,呈不断壮大之势。少数民族电影导演代表性导演有卓·格赫、万玛才旦、哈斯朝鲁、宁才、巴音、西尔扎提·亚合甫、松太加、丑丑、阿馨娜尔、德格娜、咪楠等。当下,少数民族本土导演的电影作品在艺术表现方面形成了一种合谋的共同特征,就是尽情演绎对本民族进行族群认同,并在表述物象、表述技巧、表述语言等方面形成了有规可循的表述范式。 Since the 21st century, minority-themed films have made great strides in quantity, quality, influence at home and abroad, and personnel training. Particularly encouraging is the emergence of a number of national directors (referred to as “minority film directors ”), In which the young director is broken shell, showing growing trend. Representatives of ethnic minority film directors include Zhuo Gehe, Wan Ma Caidan, Haashao Lu, Ning Cai, Bayin, Szizati Ya’akho, Song Taiga, Chouchou, Ashenal, Degu Na, Michean and so on. At present, the film productions of local director of minority nationalities have formed a common feature of collusion in artistic expression, that is, they try to deduce the ethnic identity of their own nation and form a rule-based system of expressing objects, expressing skills and expressing language Expression paradigm.