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巢湖民歌作为地方民歌的代表之一,有着极为鲜明的艺术特点和多样的表现形式。根据体裁分类法,巢湖民歌大致可以分为:秧歌、山歌、劳动号子、小调和风俗歌曲五大类。往往人们谈到民歌只注重旋律,却没有注意到节奏动机在听觉上比音高更加明显。本文以巢湖民歌为研究对象,从民歌的节奏动机入手。分析巢湖民歌的节奏动机的形态变化,以期为巢湖民歌的传承和发展做出努力。
Chaohu folk song as one of the representatives of local folk songs, has a very distinct artistic features and diverse forms of expression. According to genre classification, Chaohu folk songs can be roughly divided into: Yangko, folk songs, labor trilogy, minor and custom songs five categories. People tend to talk about folk songs only focus on melody, but did not notice that rhythm motivation is more pronounced than pitch. In this paper, Chaohu folk songs as the research object, starting from the rhythm of folk songs. Analyze the morphological changes of rhythm and motivation of Chaohu folk songs, with a view to making efforts for the inheritance and development of Chaohu folk songs.