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穿戴规制是戏曲艺术的程式性在人物服装上的具体体现。穿戴规制的形成主要有三个原因 :封建等级制度不允许 ;为了帮助演员可舞 ;戏班经济力量的制约 ,它的基本内容是类型服装与类型人物相对位 ,它有三个原则 ,分别是三不分、八有别和定中变的原则 ,总括起来说 ,穿戴规制体现了戏曲服装的程式性的艺术特征 ,穿戴规制并没有形成某种条文 ,也没有最典范、最权威和最全面的记录 ,它具有相对的稳定性 ,但不是一成不变的。传统戏曲服装设计应当坚定不移地继承传统、弘扬传统 ,在此基础上运用程式思维 ,进行意象创造 ,这样 ,传统戏曲人物造型就会不断的推陈出新。
Wearing regulation is the embodiment of drama art in the character clothing. There are three main reasons for the formation of wearable rule: the feudal hierarchy does not allow; in order to help performers dance; economic power of the troupe constraints, its basic content is the relative position of type clothing and type of character, it has three principles, namely, , Eight different and set the principle of change in a nutshell, wearability regulation reflects the costume of the program of the art characteristics of the wearer nor the regulation of the formation of a certain provisions, nor the most exemplary, authoritative and most comprehensive record, It has relative stability, but it is not static. Traditional Chinese traditional opera costume design should unswervingly inherit the tradition and carry forward the tradition. On this basis, using the programmatic thinking and image creation, traditional Chinese opera figures will continue to be innovated.