中国传统美学中的意境论强调形式与内容、主体与客体、内与外、情与景、形与神、象与意、事与理等等一切艺术元素在整体上的完美结合,浑然天成、密不可分,而这一点与电影艺术的高度综合性相契合。电影作为一门时空综合性视听艺术,影象的直观有限性与意蕴的无限丰富性融为一体,从本性上而言更接近于东方传统美学。由于发现了中国的绘画是“时间的艺术”,中国的诗歌是“空间的艺术”,著名的世界电影大师爱森斯坦很早就曾指出“就其对事件的纯情节性 The conception of mood in Chinese traditional aesthetics emphasizes the perfect combination of all the artistic elements such as form and content, subject and object, inside and outside, love and scene, form and spirit, image and meaning, reason and reason, Inseparable, and this is in line with the highly integrated nature of cinematic art. As a time-space integrated audio-visual art, the integrality of the visual limitation and the implication of the film is closer to the traditional oriental aesthetics by its nature. Since it was discovered that Chinese painting is “art of time” and Chinese poetry is “art of space”, the famous world movie master Eisenstein pointed out long ago that "as far as its pure plot against events