《桃花扇》自诞生之初演出盛况空前,之后演出渐少,在《缀白裘》等戏曲演出文本中竟无表演记载,原因之一是现实观众与假定观众的逐渐偏离,原因之二是生旦戏渐为主导,离合之情引出国仇家恨的主题太过庞大,不适应这一趋势。作为话剧导演的田沁鑫对《桃花扇》进行的尝试是目前较有影响力的,她将古典昆曲的表演和话剧表演相结合,在舞台和戏曲结构上做了大胆的尝试,给观众带来了一种新的观看体验。 One of the reasons for this is that there is a gradual deviation of the audience between the actual audience and the supposed audience. The second reason is that the “Peach Blossom Fan” Dancing Dancing gradually dominated, the theme of clinging to the enemy of national hate hate is too large, not suited to this trend. Tian Qinxin, the director of the drama, is currently influential in the attempt to make the Peach Blossom Fan fanciful. She combines the performance of classical Kunqu Opera and theatrical performances with bold attempts on stage and opera structure to bring audiences A new viewing experience.