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画家心语我认为,对传统的认识应是动态的,应以当代的审美观念去进一步研究与拓展,对传统进行再认识。带有时代特征的再认识。将会对现时的中国画发展带来不同于以往的思维空间,使中国画的演进产生亮色。我对中国人物画充满着情感与信心。今天正处于人物画发展史的高峰期,尽管历史上其传统的积淀相对较薄,但正因为此,历史为人物画留下的可拓与创新空间却比其他画种要大。不同时代的人的形态和生产与生存方式的变化,所产生的许多新的绘画上的课题,都有待今天的人物画家们去适应、求索与创造,这是极具吸引力的诱惑。时代给了我们更大作为的机会,同时也将历史的责任交给了我们。
I think the artist’s words, the traditional understanding should be dynamic, should be contemporary aesthetic concepts to further research and development, to re-recognize the tradition. Reconsideration with the Characteristics of the Times. It will bring a different space of thinking to the current development of Chinese painting and give a bright color to the evolution of Chinese painting. I am full of emotion and confidence in Chinese figure painting. Today is at the peak of the history of the development of portraits. Despite the relatively small accumulation of its tradition in history, precisely because of this, the historical space for extension and innovation left by portraits of figures is larger than that of other portraits. It is an attractive temptation to adapt to, seek for and create today’s figure painters by many changes in the forms and production and living patterns of different generations, and many of the new topics of painting that have arisen. The times have given us a greater chance of doing something and at the same time handed over the responsibility of history to us.