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20世纪90年代,女性个人化写作以蓬勃之势登上了历史文化的舞台。她们从自觉的女性立场出发,回归到自身经验领域,用躯体言说的方式发出了自己明晰的声音。她们不仅冲出了男性文化的遮蔽,而且确立了自我性别的写作意识,凸现了女性的主体性地位。但女性个人化写作自创作伊始就在理论援引上存在偏差,在文本实践中其话语内部充满了种种悖逆与谬误,精神家园等终极价值意义的最终缺失,使得女性写作日益陷入窘境,并最终归于平寂,这值得我们深思。
In the 1990s, the personal writing of women boarded the stage of history and culture with vigorous development. Starting from the conscious female position, they returned to their own field of experience and made their own clear voice in the form of body language. They not only overshadowed the cover of masculine culture, but also established self-gender writing awareness, highlighting the subjective status of women. However, since the beginning of the creation of women’s personal writing, there are some discrepancies in the application of the theory. In the practice of texts, the ultimate lack of ultimate value meaning such as rebellion and fallacy and mental home is filled with discourse in the practice of writing, which makes women’s writing become increasingly awkward and ultimately to Calm, it is worth our pondering.