作曲家、四川音乐学院作曲系前系主任黄虎威教授长期致力于中国民族风格音乐创作的研究和实践,成功地写出了以《巴蜀之画》为代表的一系列钢琴作品。他的一部分钢琴作品以民歌为主题材料,旋律写作也以民族音乐语汇为创作母语,作品既具有中国民族特色,又具有鲜明的时代风貌和较为突出的个性特征。其主要钢琴作品按写作的时间顺序有:《乡村的节日》《序曲》《巴蜀之画》《f小调小奏鸣曲》《儿童小奏鸣曲》《欢乐的牧童》《简易变奏曲》《嘉陵江幻想曲》《复调小曲三首》《复调小奏鸣曲》《二重变奏曲(我爱雪莲花)》等。一、旋律中的民歌因素 黄虎威用自己最熟悉和喜爱的四川民歌为主题创作了他的部分钢琴作品。《巴蜀之画》《嘉陵江幻想曲》都引用了四川民间音调。《巴蜀之画》写于1958年。这是一部 Professor Huang Huwei, composer and former director of the Department of Composition of Sichuan Conservatory of Music, has long been devoting himself to the research and practice of Chinese national style music creation and successfully wrote a series of piano works represented by “Bashu’s Paintings”. Some of his piano compositions are based on folk songs. Their melodic writing is also the mother tongue of the national music vocabulary. Their works have both Chinese national characteristics, distinctive features of the times and distinctive personalities. The main piano works are listed in chronological order of “Village Festival”, “Overture”, “Bashu”, “Little Sonata in f”, “Children’s Sonata”, “Happy Shepherd Boy”, “Easy Variations”, “Jialing River Fantasia” Polyphonic three “” polyphonic Sonata “” double variation (I love snow lotus) “and so on. First, the melodic folk factors Huang Huwei with his most familiar and favorite Sichuan folk songs as the theme of his part of the piano creation. ”Bashu painting“ ”Jialing River fantasia“ are quoted in Sichuan folk tone. ”Bashu painting" was written in 1958. This is a