三程式新解我们并不梦想奇迹。实践在召唤,实践也在一步一步艰苦地寻求着回答。于是,它这样告诉我们:首先,在现代戏的表演上,对于程式的理解和运用,不能搞“一刀切”。尽管生活中时光不能倒流,艺术却能做到这一点。这样,现代生活和古典戏曲表演形式之间的矛盾,就存在着一种“剪刀差”:距现代生活越远,它们之间的差距就越小,矛盾也就比较容易解决。由于社会生活的历史阶段性和发展的不平衡,形成现代人物之间的种种差异,如《杜鹃山》、《红灯照》、《小刀会》、 Three programs new solution We do not dream of miracles. Practice in the call, practice is also hard to find a step by step answer. So, it tells us this: First of all, in the performance of modern drama, we can not make a “one-size-fits-all” understanding and application of the program. Art can do this, despite the fact that life can not be reversed. In this way, the contradiction between modern life and the forms of classical Chinese opera presents a kind of “scissors difference”: the farther away from modern life is, the smaller the gap between them is and the easier it is to resolve conflicts. Because of the historical stage of social life and the development of the imbalance, the formation of the differences between modern characters, such as “Rhododendron Hill”, “red light”, “small knife”