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篆刻艺术是中华传统文化中源远流长的一项书法艺术,通过对文字的塑造,使汉字看起来更为美观,且具备一定的艺术价值[1-2]。在篆刻艺术发展过程中,抗战时期可谓是其发展的关键时期。而在抗战时期,随着重庆被作为战时首都,大部分篆刻艺术精英也随之转移至重庆内,并在此期间创造出许多可作为后世借鉴的篆刻艺术精品。本文中为探讨抗战时期陪都重庆篆刻艺术的特点,以及其作品对当代篆刻的影响,将研究过程做出以下阐述。
The art of seal cutting is a long history of calligraphy in traditional Chinese culture. Through the shaping of characters, Chinese characters look more beautiful and have certain artistic value [1-2]. During the development of carving art, the anti-Japanese war can be described as a crucial period for its development. During the war of resistance against Japan, as Chongqing became the capital of wartime, most of the carving elite moved to Chongqing as well. During this period, many cutting-edge art pieces that could serve as reference for future generations were created. In this paper, in order to explore the characteristics of Chongqing carving art during the Anti-Japanese War, and the impact of his works on the contemporary carving, the research process will make the following elaboration.