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河南曲剧在初期阶段没有打击乐,也体现不出它在戏曲艺术中的重要性。随着时代的变迁,社会的发展,曲剧艺术这支文艺队伍稳步、健康地壮大起来,现已成为河南省的第二大剧种。在上个世纪40年代中期,河南曲剧借鉴和吸收了京剧、豫剧等剧种的打击乐,从而丰富发展并完善了河南曲剧自身的打击乐。它以节奏明快、音响对比强烈、急速多变的锣鼓点等来配合烘托、渲染舞台演出的各种场面。在运用过程中,既有程式,又不拘泥程式,特别是在新编剧目中,往往是要根据剧情的需要,由
Henan opera in the early stages of no percussion, but also does not reflect its importance in the art of opera. With the changes of the times and the development of society, the literary and artistic team of the drama drama has grown steadily and healthily. Now it has become the second largest opera in Henan Province. In the mid 1940s of the last century, Henan opera dramas borrowed and absorbed the percussion of operas such as Beijing Opera and Henan Opera, enriching and perfecting the percussion music of Henan Opera. It is fast-paced, strong sound contrast, rapid change of percussion point, etc., with contrast, rendering stage performances of various scenes. In the use of the process, both the program, nor does it adhere to specific procedures, especially in the new repertory, often based on the needs of the story, from