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蒲松龄一部《聊斋志异》,打破了凡人与妖仙的神秘界限,《聂小倩》可谓其中代表,因人鬼殊途,自有用心险恶之处,却也重情重义,既诡异,又香艳,是风流书生的终极情史。这段玄幻而刻骨的爱情,李翰祥动过,徐克动过,偶像剧还将它当作最有发挥的素材加以利用。如今导演叶伟信再次翻阅这桩虚构的艳史,重新勾勒这幕“危险童话”。当美国电影《人鬼情未了》中阴阳两隔的困境缔造出了最目炫神迷的亲密关系,《倩女幽魂》却依然用如泣如诉的腔调,吟唱着惆怅且纯洁的天长地久。
Pu Songling a “Strange Stories”, breaking the mystical boundaries between mortal and demon immortal, “Nie Xiaoqian” can be described as one of the representatives, because of the ghosts and the graces, own sinister evil place, but also sentiment and justice, both weird, And fragrant, is the ultimate love affair scholar. This fantasy and deep-seated love, Li Hanxiang moved, Tsui Hark moving, idol drama will also use it as the most played material. Now director Ye Weixin read through this fictional history, re-outline this screen “dangerous fairy tale.” When the dilemma of yin and yang in the American film “Ghosts of Ghosts and Ghosts” created the most intimate and mysterious relationship, “Ghost Story Girl” still sings melancholy and pure forever.