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乔装,即通过改换服装以达到隐瞒自己的身份或蒙蔽他人的目的。在能代表莫里哀现实主义辉煌成就的27部喜剧中,有10部涉及到乔装问题,乔装的人物多达20余人次,包括资产者、贵族、农民、少爷、小姐、仆人、流氓等各个阶层的人物。由此可见,乔装是莫里哀的喜剧中经常使用的手法。乔装似乎总和欺骗形影相随,好像并非光明磊落的行为,莫里哀却通过人物的乔装表明了自己的爱憎情感,并在一定程度上反映了17世纪法国的社会现实。
Disguise, that is, through the change of clothing in order to conceal their identity or deceiving others. Of the 27 comedies that represent Moliar’s realist splendid achievements, 10 involve disguise, posing as many as 20 disguised characters, including bourgeois, aristocrat, peasant, young master, young lady, servant, rogue and others Stratum figures. This shows that the disguise is often used in Moliere’s comedy. It seems that the total amount of disguise and shadowing does not seem to be upright and honorable, but Moriès shows his love and hatred through the disguise of figures and to a certain extent reflects the social reality of France in the seventeenth century.