90年代的文坛，“新”“后”辉映。“新都市小说”的出笼使“一度行走得很是寂寞”①的广州作家张欣近两年声誉日隆。不同于早先写京城的王朔，他似乎与“后”纠缠不清，其“顽主系列”全然一副解构颠覆的架势，而张欣则和“新”结下了不解之缘，她始终以一种达观自适、不无忧 90’s literary world, “new” “after” radiance. The emergence of “new metropolitan fiction” led to the rising reputation of Zhang Xin, a writer in Guangzhou who had “once walked very lonely”. Unlike Wang Shuo, who wrote the capital earlier, he seems to be entangled with the “post”, and his “series of the recalcitrant” completely deconstructs the posture of subversion. Zhang Xin, however, has formed an indissoluble bond with “new” To a kind of self-concept, not worry-free