读贵刊96年第四期雪扬先生的文章《夕阳凝辉,其热犹炽》及所附图照,深受教育鼓舞。这里谈点粗浅体会,祈望指教。耐翁老先生的朴树桩景《寿而康》,以其独特的构思、独特的表现手法,把“自然之神”和“自我之神”融为一体,达到形具而神生。反复欣赏,回味无穷。该桩景的素材,原来只是一截布满伤痕瘤疤,首尾一样大小,既没有收缩过渡,又没有枝托,且与头部根基成45度角的干身。按常规要求,这是一块不具备桩景造型基本条件,既无“形”又无“用”的桩胚。但耐翁老先生却独具慧眼,独运匠心,从无 Read your article 96, the fourth period of Mr. Xue Yang article “Sunningdale, its hot still Chi Chi” and accompanying photos, inspired by education. Here to talk about the superficial experience, hope to advise. Mr. Ngow-lao’s “Shuk-lok” is a combination of “Nature’s God” and “God’s Self”, which is unique in form and unique expression. Repeatedly enjoy, memorable. The scene of the pile of material, the original is only a section covered with scar scars, the size of the first and last, neither the contraction of the transition, there is no branch, and the base of the head at a 45-degree angle of the body. According to conventional requirements, this is a piece of pocketed modeling does not have the basic conditions, neither “shape” nor “use” of the pile embryo. However, Mr. Boon Weng is unique insight, unique motives, never