《中国书法批评史》中谈到:“很难想象,没有清代晚期康有为的介入,处于转折和世纪之交的中国书法艺术是一种什么样的发展状况……康有为变革思想在其书法理论中的贯穿始终,表现出了鲜明、深刻的批评立场和犀利的批判锋芒,并由此而不可避免地造成一定程度的偏激。”~([1])进入二十世纪,《广艺舟双楫》给书坛带来的广泛影响依然持续着,然而时过境迁,由于科技的 “The History of Chinese Calligraphy Criticism” states: “It is hard to imagine that without the intervention of Kang Youwei in the late Qing Dynasty, what kind of development was the Chinese calligraphy art in the turning point and the turn of the century ... Kang Youwei’s thought of change in his calligraphy Throughout the theory, it has shown a clear and profound criticism and a sharp critical edge, which inevitably leads to some degree of extreme excitement. ”Into the twentieth century,“ art The boat double 楫 ”to the book altar is still the impact of a wide range, but the passage of time, due to technology