正方 张晶(山西):批评家有自己工资,他的文章发表后又有报刊付给的稿费,他的劳动已经得到了报偿。所以不应该再向画家收取酬金。 李小路(北京):俗话说,“吃人家的嘴软,拿人家的手短”,收取酬金便会使批评家失去公正,只说好,不说坏,成为没有批评的批评。批评家成了吹鼓手,批评的独立性就丧失了。 陈一凡(湖南):收取酬金养娇了批评家。批评家选择评论对象不是依画作的质量而是依酬金的厚薄,在座谈会上即兴侃谈一通,因有酬金而趋之若鹜,而那种综述的、抽象思辨的纯理论文章因无酬金且出版困难,写的人越来越少了。 Zhang Jing (Shanxi): Critics have their own wages, and after the publication of his article there are royalties paid by the newspaper, his work has been compensated. So should not be paid to the painter again. Li Xiaolu (Beijing): As the saying goes, “eating people’s mouths is soft and people’s hands are short.” Collecting remuneration will make critics lose their fairness. They only say good and not bad and become critics without criticism. Critics have become drummers and their criticism’s independence has been lost. Chen Yifan (Hunan): Gratuity paid by critics. Critics choose to comment not on the quality of the paintings but on the thickness of gratuities, and at the forum improvisational talk about a pass, because of remuneration and rush, and that review, abstract speculation purely theoretical articles because of unpaid and difficult publishing , Fewer and fewer people write.