周文矩(生卒年不详),句容(今属江苏句容)人,活动于南唐中主、后主时期。后主李煜时任翰林待诏,擅长人物画,尤其擅长画仕女像,常以宫廷贵族生活为题材。画风接近唐代周昉,并更加趋于纤细,艺术特色鲜明,多用曲折颤动的“战笔”表现仕女的衣纹。明代画论家张丑说他:“纤笔硬瘦战掣,全从后主李煜书法中得来,所画仕女,不施朱敷粉,镂金佩玉,以饰为工。” Zhou Wen Mo (birth and death unknown), Jurong (now Jurong, Jiangsu) people, activities in the Southern Tang Lord, post-Lord period. Later, Li Yu was Renlin to be Chao, good at figure painting, especially good at painting ladies, often aristocratic court life as the theme. Style close to the Zhou Dynasty, and more tend to be slim, distinctive artistic features, more use of twists and turns of the “war pen ” performance Ladies clothing. Zhang Ming, an orator of the Ming Dynasty, said: “The slender and delicate sling, all from the calligraphy of the late Lord Li Yu, painted ladies, do not apply Zhu powder, Lou Jinpei jade, decorated with work.”