论文部分内容阅读
最近,卡伊欧·方塞卡在接受一次采访中说:“与寻找我想表现的题材相比,对我无意去画的东西作出取舍尤为困难。”这一声明的确有点令人难以理喻,而方塞卡的作品,至少在初次接触者看来,画面没有丝毫的预先设定成分,似乎完全被肆意跳跃的直觉所激发。在方塞卡的油彩或纸本作品上,水远拒绝着雷同,飘荡着的色彩斑斓而又模棱两可的形状,似乎是直接从无意识抽取出来的。同时,这些作品拒斥着空间位置的固定,也无从为之冠以任何名目,但却给人留下了产生无尽遐想的余地,它们摆动在符号和背景之间,时而呈现出快被颜料的乳脂状的浩瀚所淹没,时而冲破自由, 盘旋在虚拟的空间。
In her recent interview, Kaio Fonseca said: “It is particularly difficult to make a decision about what I have no intention of drawing compared to the subject matter I am trying to find.” This statement is indeed somewhat unjustifiable, Fonseca’s work, at least in the eyes of the first-time acquaintances, did not have the slightest pre-defined composition and seemed to have been inspired entirely by the indiscriminate jump. In the Fonseca’s paint or paper works, water is far from the same, floating colorful and ambiguous shape, seems to be directly extracted from the unconscious. At the same time, these works reject the fixed position of the space and give it no name at all. However, these works leave room for endless reverie, swinging between symbols and backgrounds, Overwhelmed by the creaminess of the vast, sometimes breaking free, hovering in the virtual space.