伴随中国社会的巨大变革,民族传统音乐的发展和中西音乐的融化,成为中国当代音乐的主流。小提琴这种西方乐器,自进入中国社会文化生活以来,几代小提琴演奏家和作曲家就以各种方式致力于“小提琴民族化”的努力。以马思聪为代表的中国第一代小提琴家筚路蓝缕,拓荒耕耘,创作了以《思乡曲》(内蒙古组曲第二辑)为标志的富于民族风格和情感的一批作品,可视为“小提琴民族乐派”的奠基性成果。 With the great changes in Chinese society, the development of national traditional music and the melting of Chinese and Western music have become the mainstream of contemporary Chinese music. Violin This Western instrument, since its entry into Chinese social and cultural life, has been used by generations of violinists and composers in various ways to “nationalize violins.” The first generation of violinists in China, represented by Masicong, made a series of pioneering works and created a batch of works full of national style and emotion marked by “Hometown Songs” (Inner Mongolia Suite 2), which can be regarded as “Violin Nation Le camp ”the groundbreaking achievement.