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本文通过分析2009年岁末以来香港电影在中国电影市场全方位的突出表现,意欲指出文化批评者无需耿耿于怀于香港本地性在合拍片中是否消弭的问题,通过合适的叙事策略和产业运作,内地的民族主义和香港的本土主义完全可以共荣共存。同时,在香港电影业整体北上的大环境下,香港内地交互影响,已经不分彼此,由此迎来了合作共赢的黄金机遇期。
By analyzing the overall performance of Hong Kong films in the Chinese film market since the end of 2009, this article attempts to point out that cultural critics do not need to be censored in the co-productions of Hong Kong’s localities. Through appropriate narrative strategies and industrial operations Mainland nationalism and Hong Kong’s indigenousism can fully co-exist. At the same time, under the general environment of Hong Kong’s movie industry as a whole going northward, the interaction between Hong Kong and the Mainland has been separated from each other, thus ushering in a golden opportunity for win-win cooperation.