导读德里达对隐喻的讨论早在《论文字学》《写作与差异》中就开始了。但《白色神话》(1972)则是他对隐喻问题最集中的讨论,并成为隐喻学绕不开的经典文献。文中讨论的主要不是哲学文本中的具体隐喻,而是那些讨论隐喻的哲学文本。文章共有四节:第一节讨论的是法郎士、尼采和索绪尔等对关于语词从充满感性内容的形象转换为涂抹掉感性色彩的抽象概念。其中重点是硬币的印花图案的损耗 Guided Reading Derrida’s discussion of metaphors began as early as in Writing and Differentiation in Argumentography. However, “White Mythology” (1972) is his most concentrated discussion of metaphor issues, and become a classic metaphorical literature can not be separated. The main discussion in this paper is not the specific metaphors in philosophical texts, but the philosophical texts that discuss metaphors. There are four sections in this article: The first section discusses the abstract concepts of the words from the image of the sentimental content to the smear of the sentimental color, such as Francois, Nietzsche and Saussure. The focus is on the loss of the printed pattern of the coin