叶朗所著《中国美学史大纲》第十三章《宋元书画美学》用约一半的篇幅阐述郭熙的山水画美学观,足见其贡献之大。本文在阅读该书该章节内容的基础上,围绕郭熙“身即山川而取之”和“山有三远”之核心美学观及其价值意义进行了较为细致的探讨,旨在寻求其在艺术创作理念和方法论上对后世的启迪意义。 Yelang’s “Outline of History of Chinese Aesthetics,” Chapter Thirteen “Song and Yuan Painting and Calligraphy Aesthetics” with about half the space to elaborate Guo Xi’s landscape aesthetics, which shows its contribution to the great. On the basis of reading this chapter in this book, this paper discusses the core aesthetics and its value meaning around Guo Xi ’s body is the mountains and rivers and Seeking for its enlightenment significance to later generations in the philosophy and methodology of artistic creation.