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在中国民族主义观念意识的语境中,抗日题材电视剧一直有较大生存空间。近年来,中日关系走向的不确定性,以及历史题材本身的包容度与自由度,使很多编剧更加偏重这个题材的创作,并出现一股热潮。新近的抗日题材电视剧在呈现出某些新素质的同时,也在情节类型化、人物偶像化、剧情随意化方面表现出明显不足。抗日题材电视剧的推陈出新,要挣脱创作惯性的牵扯和追求艺术个性,但最重要的还是要将历史本身作为塑造自身艺术性和思想性的根本力量。
In the context of China’s nationalist sense of concept, anti-Japanese drama has always had more room for survival. In recent years, the uncertainty of the trend of China-Japan relations and the degree of tolerance and freedom of the historical themes themselves have caused many screenwriters to lay more emphasis on the creation of this theme and have shown a surge of enthusiasm. While presenting some new qualities, the recent anti-Japanese drama series show obvious deficiencies in plot type, idolization of the characters and randomness of the story. The anti-Japanese themed TV series innovation, to get rid of the inertia involved in the creation and the pursuit of artistic personality, but the most important thing is to history itself as to shape its own artistic and ideological fundamental forces.