董其昌其人、其艺历来褒贬不一,他曾经以艺坛领袖的身份倡导“南北宗”论和“文人画”论,在明末艺坛执牛耳数十年,且影响整个清代。通过对他所倡导的艺术思想进行研究,笔者认为这一论述关系到中国山水画从创作思想领域该向何处去这一令人深思的问题作出批评论述。 Dong Qichang his people, his art has come to mixed reviews, he had the identity of the art leader advocated “North-South” theory and “literati painting” theory, in the late Ming art world executive ears for decades, and the impact of the entire Qing generation. Through the research on the art thought advocated by him, I think this argument is related to the criticism of the thought-provoking question about where the Chinese landscape painting should go from the creative field.