京剧按类型化创造舞台形象,但京剧表演艺术的高下往往见之于能否在类型中出人物的特色,能否在严格的程式中闪现演员创造力的光芒。老旦是京剧中对封建时代老年妇女形态的提炼。京剧中的老旦多属配角,以老旦为主的戏也有,但不多,就那么几出。由于老年妇女心态凝重,手脚不灵,行动不便,决定了老旦在戏曲的四功五法中发挥的余地大受限制。拿着龙头拐杖,收胸偻腰,颤颤巍巍,慢慢悠悠的老旦,形态让人熟悉到实在没有多少新鲜感了。 Beijing Opera creates the stage image according to the type. However, the performance of Beijing opera performing arts is often seen in the characteristics of whether it can be in the type of personality, whether it can flash the creativity of actors in a rigorous program. Lao Dan is the refinement of the form of the elderly women in the feudal era in Beijing Opera. Laodan in Beijing opera is mostly a supporting role, with old Dan mainly based on the drama, but not much, just a few out. Due to the impotence of the elderly women, their lack of arms and legs and their mobility, they decided that Laotian would have a much more limited room to play in the four functions and five works of the opera. Hold the leading crutches, closing the chest waist, quivering, slowly long Laodan, form familiar to the fact that there is not much freshness.