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在佛老之学的影响下,禅宗“即心即佛”、“无着无住”的随缘任运的思维方式与“当头棒喝”的“顿悟”意念,以及道教偏重于崇尚自然、梦幻神游、浪漫超脱的思想特征等因素,皆直接影响唐人对诗歌意境理论的探讨,有助于唐代诗歌意境理论的完善与定型。皎然《诗式》以“取境”为中心论诗;司空图《二十四诗品》“思与境偕”、“象外之象,景外之景”和“味外之旨”、“不著一字,尽得风流”的诗学思想与审美观念,正是中国诗学意境论走向成熟的鲜明标志,开启了宋代严羽“以禅喻诗”等诗学思想的不二法门。
Under the influence of Buddhism and LaoZhi, Buddhism, “the heart is the Buddha,” “the heartless Buddha”, “the fatelessness” and the “epiphany” In the respect of nature, fantasy fugue and romantic detached ideological characteristics and other factors, all have a direct impact on the Tang Dynasty’s discussion of the theory of the artistic conception of poetry, which is conducive to the perfection and stereotypes of the theory of the artistic conception of poetry in the Tang Dynasty. Jiao Ran’s poetic style takes “taking the territory” as the center of poem; Sikong “twenty-four poems” and “thinking and the environment Kai”, “the image of the outside world, the scene outside the scenery” and “The purpose of taste ”, “no words, enjoy the romantic ” poetics and aesthetic concepts, it is the clear sign of the maturity of the Chinese poetic mood theory, opened the Song Yan Yu Zen Yu poem "and other poetic thinking of the only way.