在尤仑斯当代艺术中心的开幕式上,一个经过了一年多时间精心策划的“’85新潮”回顾展,却遭到了众多业内人士的异议,这恐怕是策展人费大为始料未及的事情。那么,为什么一个本应该引发人们深思的展览,却造成了如此这般事与愿违的效果呢?我想,最主要的原因恐怕还是因为它的呈现方式吧。首先是因为展览抽离了这些作品成生的时代背景。将过去那个艰难困苦的创作环境省略,而只保留其视觉的某种效果,尤其是将其突然摆放在一个 At the opening of the Ullens Center for Contemporary Art, a well-planned retrospective “85” retrospectived by more than a year has met with opposition from a large number of professionals in the industry. Unexpected things. Why, then, should such an exhibition deservedly be thought-provoking, did such an unexpected result? I think the main reason probably is because of how it is presented. The first reason is that the exhibition has pulled away from the background of these works. Will be the past that difficult and painstaking creative environment omitted, but only to retain some of its visual effects, in particular, suddenly placed in one