中国歌剧已走过近百年历史,历经几代人的艰辛探索,已成为中国现代文艺的重要组成部分。新中国成立后,中国歌剧在新的历史条件下获得更快发展。20世纪50年代初,许多作曲家、剧作家和歌剧表演艺术家都对“新歌剧”的探索报以极大热情。因此,新中国歌剧舞台上涌现出大批优秀剧目,呈现出不同的类型、样式、风格。其中,有沿袭建国前解放区小歌剧样式的歌剧,有借鉴欧洲“正歌剧”样式的歌剧,还有借鉴中国戏曲的歌剧,可谓百花齐放。但究竟哪种歌剧更适合于中 Chinese opera has gone through nearly a hundred years of history. After several years of hard exploration, it has become an important part of China’s modern literature and art. After the founding of New China, Chinese opera gained faster development under the new historical conditions. In the early 1950s, many composers, dramatists and opera artists all showed great enthusiasm for the exploration of “New Opera.” Therefore, a large number of excellent repertoires emerge on the stage of new Chinese opera, showing different types, styles and styles. Among them, there are operas that follow the style of the liberated area before the founding of the People’s Liberation Area, operas borrowed from the European style of “positive operas” and operas borrowed from Chinese operas. But what kind of opera is more suitable for